Senin, 29 Agustus 2011

[N210.Ebook] Fee Download The Caged Virgin, by Ayaan Hirsi Ali

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The Caged Virgin, by Ayaan Hirsi Ali

The caged virgin

  • Sales Rank: #1307251 in Books
  • Published on: 2007
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.80" h x .55" w x 5.08" l, 1.10 pounds
  • Binding: Paperback
  • 208 pages

Most helpful customer reviews

17 of 20 people found the following review helpful.
Diagnosis of a malaise and a prescription for healing
By Peter Uys
In this perceptive work, Ayaan Hirsi Ali examines a major issue of our times with admirable fluency and erudition. In the preface she points out the similarities in attitude towards Islamic culture now by the Western adherents of multiculturalism and towards communist regimes by leftists then. Besides an abiding hatred for the West in some circles, it is because of the victim culture and moral relativism that oppressive practices are ignored. Muslims are perceived to be victims of the West. For the same reason, Israel is fiercely condemned while the Palestinians get a free pass. She considers this patronizing and exemplary of racism in its purest form; the idea of the "other" that can do no wrong and must be shielded from criticism. Ibn Warraq exposes all aspects of this harmful fallacy in his classic study Defending the West.

Hirsi Ali asks the advocates of the multicultural society to acquaint themselves with the suffering of women who are treated as chattels. The notion of "group rights" are detrimental to Muslim women, and without emancipation, the socially disadvantageous position of Muslims will persist. She laments the fact that Muslim women are not listened to and calls for self-examination in intellectual discourse. Hirsi Ali also deals with the clash of cultures in Europe as revealed by amongst others Bruce Bawer in While Europe Slept, and examines the triangles of power in the Muslim world itself: the triangle of the strong leader, the clergy and the army, and the triangle of apathy, fundamentalism and refugees/emigration. On this subject, I also recommend Now They Call Me Infidel by Nonie Darwish.

The author provides a brief history of her early childhood in Somalia and her personal emancipation after emigrating to the Netherlands, explaining why she had to leave Holland for the USA. This is engagingly related in her brilliant work Infidel. There is an interview with prominent Canadian Muslim reformer Irshad Manji, a chapter on female genital mutilation and 10 tips for Muslim women who wish to escape their oppressive circumstances. A full transcript of the documentary film Submission is included, the film that led to the death of Theo van Gogh. Hirsi Ali claims that instead of empowering Muslim students through research and training, European universities have become activist centers to further Arab political aims.

She considers Muslims in Europe and around the world to comprise three broad categories: terrorists and the radicals that assist them, the tiny group of reformers that embraces the open society and the large number of undecideds who are caught in a mental vise, the painful contradiction between the harsh tenets of an intolerant religion and the values of the open society. She believes that the first victims of Muhammad are the minds of Muslims themselves as they exist in a situation of cognitive dissonance. Western cultural relativists flinch from criticism of Muhammad for fear of offence, thereby making it more difficult for western Muslims to review their own moral values.

This thought-provoking work provides first-hand experience and knowledge of a particular worldview and serves as an appeal for clear thinking, empowerment and individual liberation. Hirsi Ali nails it when she shows how various evils result from beliefs based on fear. Her insights have universal application as of course they are valid for any religion or cult. Although not flawless, The Caged Virgin is a bright light of courage and reason in the darkness of oppression and brainwashing. The book concludes with bibliographic notes and an index. Because They Hate by Brigitte Gabriel provides further valuable information on the development and results of religious radicalism whilst in The Unlearned Lessons of the Twentieth Century, French philosopher Chantal Delsol explains the civilizational fatigue of contemporary Europe of which one effect is the existence of enclaves where medieval brutality goes unchallenged.

1 of 1 people found the following review helpful.
Essential for understanding the position of Muslim women in the west and the conflict of values for Muslim refugees
By tina
Everyone should read this book or the author's updated version. The author provides a highly readable explanation of the basic beliefs of Islam, its conflicts with western values, the struggles of Muslim refugees in the west (focusing on women), and distinguishes between the religious and the cultural/traditional position of Muslim women. Ayaan Hirsi Ali presents very articulate arguments about Muslim women issues and proposes reasonable responses in western society. She also points out the unintentional effects of political correctness and religious tolerance on the rights of Muslim women in the west.

1 of 1 people found the following review helpful.
Is There Hope for Muslim Women?
By Ann W. Smith
It's hard to comprehend the mindset Islamic men have toward women. Will moderate Muslims ever step forward and voice
change?

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Minggu, 21 Agustus 2011

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Designing Successful e-Learning, Michael Allen's Online Learning Library: ForgetFrom Pfeiffer

  • Published on: 2007-01-01
  • Binding: Unknown Binding

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Rabu, 17 Agustus 2011

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Light and Shade: A Classic Approach to Three-Dimensional Drawing (Dover Art Instruction), by Mary P. Merrifield

“Form,” writes the author, “is developed by means of light and shade; without these every object would appear flat.” Originally published in the mid-nineteenth century, this classic approach to three-dimensional drawing was the first book to provide art students with instructions for correctly illustrating perspective outlines of various objects.
An art historian noted for her authoritative reference works, Merrifield clearly demonstrates the principles of light and shade by revealing the effects of common daylight, sunshine, and candle or artificial light on geometrical solids. Her simple explanations are accompanied by illustrations of cubes, prisms, pyramids, cylinders, spheres, ovals, and cones.
As useful and practical today as it was when first published well over a century ago, Light and Shade provides beginning and advanced art students with valuable insights into effective drawing and sketching.

  • Sales Rank: #1303883 in Books
  • Published on: 2005-04-15
  • Released on: 2005-04-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.46" h x .10" w x 5.90" l, .21 pounds
  • Binding: Paperback
  • 64 pages

Most helpful customer reviews

13 of 14 people found the following review helpful.
Shade & Light
By Jeremy Johnson
I have had to re-read this little book over and over to fully grasp the nature of light explained in it. It is a good little reference book to have, however it is one that needs to be re-read several times to really understand what is being explained. I still need to re-read it some more! The language it is written in is a little out dated but still it is worth picking up if you are serious about your art.

11 of 14 people found the following review helpful.
More a pamphlet than a book
By Amazon Customer
The by-line of this book should have been my clue to its antiquity. I don't mind resources that are a bit older (i.e. "classic") but this particular title suffers from the verbosity so fashionable in it's day yet so annoying now. It just too text heavy. Using words to teach light and shadow is like using ducks to teach chemistry...in other words, ineffective. This is a concept best explained through illustration and while there are some here, there isn't enough and they aren't very effective. It's just not presented well for a simple minded novice like me. It is a reasonable pamphlet, but not a great book.

3 of 4 people found the following review helpful.
light and shade review
By Paul Campbell
This is a compact guide to the use of light and shade in drawing. It is a solid tool for the person starting out to the more experienced artist. I would recomend this book especially for art departments in schools as well as libraries where the general public can access it when needed. Also good for parents helping children to develop that third dimension with depth and texture within their art from a relatively early age. This book is easy to understand and follow. However, for the younger artist, there is a fair bit of reading involved and as such may require an adults assistance at times just to help get the concepts right early on. All in all a very good book for it's target group.

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Senin, 15 Agustus 2011

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In this unique textbook and reference source, the authors integrate theoretical and applied research from a host of disciplines, including materials science, plasma physics, and advanced transport phenomena. Volume 1, the first of two, covers the fundamentals of plasma physics and gaseous electronics, thermodynamics, and transport properties of plasma.

  • Sales Rank: #11655416 in Books
  • Published on: 2013-12-31
  • Released on: 2013-12-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.07" w x 6.10" l, 1.44 pounds
  • Binding: Paperback
  • 452 pages

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Minggu, 14 Agustus 2011

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Kupilikula: Governance and the Invisible Realm in Mozambique, by Harry G. West

On the Mueda plateau in northern Mozambique, sorcerers are said to feed on their victims, sometimes "making" lions or transforming into lions to literally devour their flesh. When the ruling FRELIMO party subscribed to socialism, it condemned sorcery beliefs and counter-sorcery practices as false consciousness, but since undertaking neoliberal reform, the party—still in power after three electoral cycles—has "tolerated tradition," leaving villagers to interpret and engage with events in the idiom of sorcery. Now, when the lions prowl plateau villages ,suspected sorcerers are often lynched.

In this historical ethnography of sorcery, Harry G. West draws on a decade of fieldwork and combines the perspectives of anthropology and political science to reveal how Muedans expect responsible authorities to monitor the invisible realm of sorcery and to overturn or, as Muedans call it, "kupilikula" sorcerers' destructive attacks by practicing a constructive form of counter-sorcery themselves. Kupilikula argues that, where neoliberal policies have fostered social division rather than security and prosperity, Muedans have, in fact, used sorcery discourse to assess and sometimes overturn reforms, advancing alternative visions of a world transformed.

  • Sales Rank: #213465 in Books
  • Brand: Brand: University Of Chicago Press
  • Published on: 2005-09-05
  • Released on: 2005-09-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.14 pounds
  • Binding: Paperback
  • 336 pages
Features
  • Used Book in Good Condition

Review
“Kupilikula is one of the finest examinations of contemporary sorcery that I have read. The writing is clear and unencumbered. The ethnography is rich and nuanced. The analysis of the sorcery, power, and politics, is impressively subtle, but its unstated nature packs a solid theoretical punch. By the end of the book, the reader has a significantly more profound comprehension of the thorny thicket of contemporary African politics. This is major contribution to African studies, political anthropology, and the anthropology of religion.”--Paul Stoller, West Chester University and Temple University

(Paul Stoller Paul Stoller 2005-03-28)

"Kupilikula offers a fascinating history of the resilience of uwavi (sorcery) among the Muedans of northern Mozambique. Harry West investigates how the 'language' of sorcery has survived particularly dramatic changes: the impact of harsh Portuguese colonialism; the FRELIMO regime with its categorical refusal of 'tradition' in the name of scientific socialism; and nowadays, a spectacular return of 'tradition' propagated by neo-liberal reformers with their belief in restoring 'civil society.' West shows how, time and again, uwavi language surpassed the ideologies of outsiders and allowed Muedans to follow their interpretation of the changes" (Peter Geschiere Peter Geschiere 2005-03-28)

“This is an entrancing and unsettling work. Through a series of artful, funny, cryptic, and disturbing conversations, Muedan sorcery emerges as an ambiguous anti-vision. It is a means to probe and question the workings of power and reality and a means to wage endless, daily wars in a world of war. West shows how Muedans, scraping by on the margins of colonial, socialist, and neoliberal societies, used talk about sorcery to occlude visions of power imposed upon them and to work on creating more habitable worlds. Ultimately, he follows them towards an excoriating critique of the most hopeful visions of neoliberal reformers in Mozambique. This is historical anthropology at its innovative best.”--Erik A. Mueggler, University of Michigan

(Erik A. Mueggler Erik A. Mueggler 2005-05-23)

"With verve and insight, West conveys the atmosphere of suspicion, doubt, and ambiguity prevailing on the Mueda plateau. He's a skilled fieldworker. . . . Students will find West's style engaging and the book extremely readable. Indeed, by acknowledging the role of his field assistant in nearly every interview, West does a great service to aspiring anthropologists: he subverts the myth of the lone ethnographer-cowboy." (David McDermott Hughes Anthropological Quarterly)

“Kupilikula is written in part as a narrative of the author’s fieldwork and in part as a more general reflection on the material that the research generated. Brimming with dialogues, quotations and visual accounts of the author’s encounters with the locals, the book is a vivid portrayal of an isolated people struggling to make sense of the waves of political change (some of them violent) that have washed over them in the past century. The style is reader friendly and makes it easy to enter the world of the invisible, which emerges as though through special night-sight goggles as the book unfolds. It is an intriguing and arresting read. . . . Kupilikula is that rare book which manages both to make real the texture of ordinary life and to explain how the particular is relevant to the appreciation of the bigger picture.”

(Patrick Chabal International Affairs)

"A fascinating analysis  of the intersection of sorcery and authority . . . in northern Mozambique. Based on years of research and dozens of interviews and conversations with residents of the plateau, [West] describes a variety of beliefs and practices with an eye to explaining local ideas about government and political power." (Kathleen Sheldon African Affairs)

"I thoroughly enjoyed this book. West's is not a 'celebratory portrayal.' Rather, he insists that readers grapple with Muedans' ambivalence uncertainties and contradictions. In short, he renders his 'ordinary Muedans' believable—whether they are visible or invisible." (Jeanne Marie Penvenne African History)

"[Kupilikula] qualifies as one of the most effective exercises in 'writing culture' that I have ever read. . . . An outstanding contribution to a group of recent and theoretically notable ethnographies set in Mozambique and an important addition to the growing body of work on 'sorcery and witchcraft' in Africa. It should also be priority reading for scholars of contemporary developemnt and governmentality in Africa, for African anthropologists and social historians, and indeed for historical anthropologists and ethnographers writ large." (International Journal of African Historical Studies)

"A fascinating study of the enduring ideas on power relations in a distinctive part of northern Mozambique. The book is appropriatefor graduate students in social anthropology and/or African studies on the subjects of sorcery and witchcraft in Africa." (Magnus P.S. Persson Canadian Journal of History)

"West has done careful field research and has used carefully selected narrratives not to provide an ethnographic catalogue of ideas of sorcery, but rather to bring the reader into the logic of sorcery as it exists within a broader system of thought." (Robert M. Baum H-Africa)

From the Inside Flap
On the Mueda plateau in northern Mozambique, sorcerers are said to feed on their victims, sometimes “making” lions or transforming into lions to literally devour their flesh. When the ruling FRELIMO party subscribed to socialism, it condemned sorcery beliefs and countersorcery practices as false consciousness, but since undertaking neoliberal reform, the party—still in power after three electoral cycles—has “tolerated tradition,” leaving villagers to interpret and engage with events in the idiom of sorcery. Now when the lions prowl plateau villages, suspected sorcerers are often lynched.
In this historical ethnography of sorcery, Harry G. West draws on a decade of fieldwork and combines the perspectives of anthropology and political science to reveal how Muedans expect responsible authorities to monitor the invisible realm of sorcery and to overturn or, as Muedans call it, “kuplikula” sorcerers’ destructive attacks by practicing a constructive form of countersorcery themselves. Kupilikula argues that, where neoliberal policies have fostered social division rather than security and prosperity, Muedans have, in fact, used sorcery discourse to assess and sometimes overturn reforms, advancing alternative visions of a world transformed.
 

About the Author
Harry G. West is lecturer in social anthropology at the School of Oriental and African Studies, University of London. He is author of numerous articles and book chapters, and editor or coeditor of two previous volumes, including, Transparency and Conspiracy: Ethnographies of Suspicion in the New World Order.
 
 

 

Most helpful customer reviews

0 of 0 people found the following review helpful.
Brilliant, Colorful and Lively
By C. Macauley
I bought this book intending to read only the first few chapters, but I ended up finishing it and loving every word. Although some ethnographies can be dull, this book has a strange and very well-told story in it--West's own evolution of thought as he got deeper into the culture and history of the Makonde people of northern Mozambique. It is also one of the most detailed descriptions of the practice of African witchcraft that I've ever read. West goes far beyond the witchcraft itself, though, and explains how witchcraft fits into Makonde society, culture and governance, to open a new window on the role of healers, diviners and sorcerers in the community. A central theme is "kupilikula", the act of causing a magic spell to bounce back at the sorcerer who cast it. West finds many applicable metaphors for this in Makonde society. He introduces us to his Mozambican assistants and to many of his Makonde informants, who become living characters in his story. He also does a brilliant job of describing the complex history of Mozambique and of Cabo Delgado Province, which I visited in 1993, a few years before West began his fieldwork there. Altogether a fascinating and very enjoyable read, not soon forgotten.

2 of 3 people found the following review helpful.
insightful book and wonderful read
By Virlana Tkacz
Truly wonderful book that is very readable. It both introduces the reader to a culture and reveals the layers of interpretations.

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Selasa, 09 Agustus 2011

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I Survived Kerobokan: A shocking story from behind the bars of Bali's most notorious prison, by Paul Conibeer

In 2012, Paul Conibeer, a traveler was jailed in Bali's infamous Kerobokan Prison - the home of Shapelle Corby, the 'Bali Nine' and a host of international travelers on death row for smuggling drugs. Paul's crime was a dispute over an unpaid hotel bill and his failure to 'pay off' the right people in the Kuta Police system that saw him jailed for almost 12 months. In 'I Survived Kerobokan Prison' Paul tells his harrowing story of sleeping on a tiled floor at Kuta Police Station for 60 days, using a water bottle as a pillow. After two months of hell in a stench-filled cell he was transferred to Kerobokan. Kerobokan brought Paul into contact with a wide variety of prisoners - murderers, rapists, drug mules and the innocent, like himself - all searching for a way to survive. In his 300 days in Kerobokan, the toll on Paul's body and mental state were dramatic in that he: lived with 52 men in a 33 man cell. slept on a mattress on the floor with the rats and cockroaches. had no money to barter for food, water and smokes. continually had to watch his back frightened that he might be stabbed. had his cell mate die in his arms from sickness.

  • Sales Rank: #2575070 in Books
  • Published on: 2014-10-01
  • Released on: 2014-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.39" h x .61" w x 6.53" l, .82 pounds
  • Binding: Paperback
  • 224 pages

About the Author
Paul, at a young age, showed promise as a football player and later worked for Qantas before branching out into the car industry as a salesman. After a decade living in the United States, Paul returned to Australia in 1998. A series of failed relationships saw him at a low ebb when he went to Bali in 2012 for what was supposed to be a prolonged holiday. This is his true story. of his time in one of the world's worst prisons ... Kerobokan.

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