Rabu, 31 Juli 2013

[A484.Ebook] Download African-American Reactions to War in Ethiopia, 1936-1941, by Joseph E. Harris

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African-American Reactions to War in Ethiopia, 1936-1941, by Joseph E. Harris

African-American Reactions to War in Ethiopia, 1936-1941, by Joseph E. Harris



African-American Reactions to War in Ethiopia, 1936-1941, by Joseph E. Harris

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African-American Reactions to War in Ethiopia, 1936-1941, by Joseph E. Harris

This book discusses African-American sympathies with Ethiopia particularly during the Italo-Ethiopian War of 1936-1941, which was a war between a European power against a weak African country that struck a collaborative effort from descendant Africans in the Americas for racial freedom and dignity.

  • Sales Rank: #3365178 in Books
  • Brand: Brand: Louisiana State University Press
  • Published on: 1994-02
  • Original language: English
  • Number of items: 1
  • Dimensions: .82" h x 6.27" w x 9.34" l,
  • Binding: Hardcover
  • 248 pages
Features
  • Used Book in Good Condition

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5 of 6 people found the following review helpful.
EXCEPTIONALLY EXCELLENT BOOK TO READ
By Fasil S. Gessesse
Joseph E. Harris' best selling book "African-American Reaction to War in Ethiopia 1936-1941" prevail vividly the historical facts and the African-Americans and other Africans reactions. Mr. Harris dedicated his research to bring the strong relationship between Ethiopians and African Americans. You will read more in detail about the aggressive movement of the African-American to defend Ethiopia from Italians' fascism in the following manner: the African-Americans wrote a letter to the city mayor all the way to President Roosevelt. They boycotted the Italian own business and demonstrated on the America streets against Italian. They enlisted to go to Ethiopia to fight the war beside their Ethiopians brother and sisters.

I'm going to take the direct quote from the book to show the deepness of the relationship and its highest pick during mid 1930's as one of the African-American statement.

"...a tendency to avoid the label of Negro in favor of Ethiopian. One black American said, "I do not want to be called Negro, colored, or [n-word]. Either term is an insult to me or you. Our rightful name is Ethiopian." (P. 7)

African Americans was significantly enlisted in different cities in America to go to Ethiopia to fight the Fascist Italians. The American State Department issued a statement based on the legislation:

..."American citizen shall be deemed to have expatriated himself when he had been naturalized in any foreign state in conformity with its laws."

The African Americans viewpoint to the American State Department as Orhardo Andrews, of New York City, stated.

"First the Africans who are residing here and all the West did not come here voluntarily, but by an act of kidnapping which today is punishable in the United States by death...As for loosing our citizenship of this country, we don't give a nick about that. This citizenship is of no value to us.... If you country can not protect us when we are citizens and living here, why should we worry about it?" (P. 41)

In the same book you would learn about Ethiopians who were resided in American. Dr. Melaku Bayen was one of prominent among the many Ethiopians who worked with African American in New York City. He was also the editor and the father of "ETHIOPIAN REVIEW" magazine as far back as in the early 1930. You can request the copy of the magazine form American Congress Library. The magazine encompassed all the black people in the globe. It was rich with Pan-Africanism ideology.

I found it diligently researched book to learn the oldest relationship between Ethiopian and African-Americans. I recommend for anyone who would like to learn the magnitude support Ethiopia received during 1935 to 1941 mainly from our African American brothers and sisters.

I'm certain the book will also shed some light about European unfounded characterization of Ethiopians to justify and qualify their dark history against humanity.

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Selasa, 30 Juli 2013

[M552.Ebook] PDF Ebook Fox (Animal), by Martin Wallen

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Fox (Animal), by Martin Wallen

Fox (Animal), by Martin Wallen



Fox (Animal), by Martin Wallen

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Fox (Animal), by Martin Wallen

We know very little about the fox and its habits—and our ignorance, Martin Wallen argues, is rooted in the fox’s bad reputation. Lowly, sly, and classified as vermin, foxes raid henhouses and garbage bins, spread disease, and injure domestic pets. At the same time, foxes are often considered beautiful, mysterious, and even oddly human. This book is the first to fully explore the fox as the object of both derision and fascination, from the forests of North America to the deserts of Africa to the Arctic tundra.

Whether portrayed as an unrepentant thief, a shape-shifter, or an outlaw, the fox’s primary purpose in literature, Wallen demonstrates, is to disrupt human order. In Chinese folklore, for example, the fox becomes a cunning mistress, luring human men away from their wives. Wallen also discusses the numerous ways in which fox-related terms have entered the vernacular, from “foxy lady” to the process of “foxing,” or souring beer during fermentation. Thoughtful and illuminating, Fox shows that this lovely creature is as beguiling as it is controversial.

  • Sales Rank: #699006 in Books
  • Brand: Brand: Reaktion Books
  • Published on: 2006-12-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.50" h x .70" w x 5.38" l, .79 pounds
  • Binding: Paperback
  • 206 pages
Features
  • Used Book in Good Condition

Review
"Incisive and erudite." (The Independent 2007-01-18)

About the Author
Martin Wallen is professor of English at Oklahoma State University. He is the author of Coleridge’s "Ancient Mariner": An Experimental Edition of TextsandRevisions and City of Health, Fields of Disease: Revolution in the Poetry, Medicine, and Philosophy of Romanticism.

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17 of 17 people found the following review helpful.
Fascinating Exploration of the Fox in Human Culture
By Elizabeth M.Tobey
Throughout Martin Wallen's book, "Fox," the author demonstrates how the fox has long been viewed by humans as an ambiguous creature living on the boundaries of civilized society. Just as a fox evades capture in the hunting field through its wit and cleverness, the fox also escapes simple definition.

Each of the six chapters reads as an individual essay. The opening chapter deals with efforts to classify the fox over time, beginning with the philosopher Aristotle, who believed foxes to be literally made of earth. Many creatures throughout the world share the name and the general appearance of "fox" - from the Arctic fox to the South American culpeo to the African fennec - but vary greatly in behavior and habitat.
Another chapter explores the fox in legend and myth in both Western and Eastern cultures. In Western thought, the fox is often a malevolent being, both trickster and thief living on the edges of society. Wallen recounts the fox in Aesop's Fables, the Reynard legend from medieval France, and early Christian and medieval depictions of the fox as the devil in disguise. The legend of the kitsune, or spirit fox, migrated to medieval Japan from China, and kitsune possess the ability to shapeshift into human form, thus crossing the boundaries between man and animal and the spirit and material worlds. Subsequent chapters deal with the topics of foxhunting, the commercial fur industry, and the metaphor of the fox in twentieth-century cinema.

In his chapter on foxhunting, Wallen traces the evolution of the sport and the way it was portrayed in English art and literature. While eighteenth century depictions emphasized the violent death of the fox, emphasis shifted over time until the pageantry and rules of the sport became more important than the actual capture and death of the animal.

Martin Wallen's carefully-crafted book gives readers an appreciation of this mysterious animal that has excited human imagination.

1 of 1 people found the following review helpful.
Excellent survey of the lives and lore of foxes
By Daniel
It was Wallen's fine book on foxes that introduced me to Reaktion's excellent Animal series, and I've been a huge fan ever since. This is definitely my favourite volume in the series. Well written, thoughtfully considered, and insightful. His writing style is engaging and illuminating, and he never talks down to readers--he's a careful and astute scholar, an accessible writer, and an impressive observer of both the natural world and human interactions with it. Like all books in the series, it takes up natural as well as cultural history, and Wallen manages the balance with exceptional skill. You'll never look at foxes the same way again! In fact, I was inspired to try my own hand at a volume in the series as a result of Wallen's contribution, so I'm particularly grateful for the inspiration of *Fox*.

Some readers have been a bit put off by a couple of the graphic photos (even though there are over 100 images in the book), but I think it's a shame to dismiss this fine and engaging study for those reasons. Yes, there are two gruesome images, but the reality is that in addition to inspiring much beautiful art and spiritual beliefs, foxes also suffer terrible abuse at the hands of humans--that's part of the context that Wallen writes about. We can't understand foxes or their symbolism without also understanding the terrible price they pay for being so fascinating to humans. I get squeamish at these images, too, but they represent a powerful truth, and we owe it to the animal and to ourselves to face these things directly.

A well-informed and well-written book that avoids Disney-esque simplicity and takes up the full complexity of these marvellous animals. Highly recommended!

1 of 1 people found the following review helpful.
You'll never be outfoxed again.
By lyndonbrecht
This is the "Animal" series formula, mixing some natural history, culture, legend, the arts, and exploitation of the animal, engagingly written and excellently illustrated. The formula works again, and I must like it because I have read dozens of books in the series.

Perhaps the most interesting chapter is on fox hunting, one that gives some history of the hunt and its current status. The chapters are The Fox in Nature; Vulpine Myth, Folk Tales and Allegory; The Linguistic Fox; Fox Hunters; The Commercial Fox; 20th Century Fox and the Cinema. These cover evolution and natural history, distinguish the separate varieties of fox (21 species!), the fox as pest, as fable (as in The Fox and the Grapes), as hunted, as source of furs. This last is the saddest fox.

It's easy to forget the cultural fox, but remember phrases such as foxy lady, the old fox, to outfox someone and many others.

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Senin, 29 Juli 2013

[E805.Ebook] Download PDF Mahabharata: A Modern Retelling, by Carole Satyamurti

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Mahabharata: A Modern Retelling, by Carole Satyamurti

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Mahabharata: A Modern Retelling, by Carole Satyamurti

“Astonishing. . . . [Satyamurti’s Mahabharata] brings [the] past alive . . . as though it were a novel in finely crafted verse.”—Vinay Dharwadker


Originally composed approximately two thousand years ago, the Mahabharata tells the story of a royal dynasty, descended from gods, whose feud over their kingdom results in a devastating war. But it contains much more than conflict. An epic masterpiece of huge sweep and magisterial power, “a hundred times more interesting” than the Iliad and the Odyssey, writes Wendy Doniger in the introduction, the Mahabharata is a timeless work that evokes a world of myth, passion, and warfare while exploring eternal questions of duty, love, and spiritual freedom. A seminal Hindu text, which includes the Bhagavad Gita, it is also one of the most important and influential works in the history of world civilization.


Innovatively composed in blank verse rather than prose, Carole Satyamurti’s English retelling covers all eighteen books of the Mahabharata. This new version masterfully captures the beauty, excitement, and profundity of the original Sanskrit poem as well as its magnificent architecture and extraordinary scope.

  • Sales Rank: #76778 in eBooks
  • Published on: 2015-03-16
  • Released on: 2015-03-02
  • Format: Kindle eBook

Review
“A remarkable achievement.” (The New Statesman)

“An exquisitely crafted reminder of the power of the Mahabharata: how riveting a read it is, and how relevant it remains to our times.” (Manil Suri)

“A gift to be grateful for. It gives us, as all poetry should, access into a world we did not know or did not know well enough and which henceforth we will visit again and again.” (David Constantine)

“A spellbinding reading experience and a magisterial achievement.” (Eva Hoffman)

“Like the Iliad, the Mahabharata has everything: love, war, family, gods, all the beauty and horror of life. I hope Carole Satyamurti’s compelling version will introduce this marvelous epic, still largely unknown in the west, to a whole generation of new readers.” (Katha Pollitt)

“A kind of miracle: a talented English poet has brought alive in blank verse an ancient Sanskrit epic for the contemporary ear and in a language that does not draw attention to itself but captures the weft and warp of the original thrilling tale, including its moral complexity.” (Gurcharan Das)

“[A] bold and masterful retelling . . . Satyamurti’s version flows with exhilarating clarity and momentum.” (Donna Seaman - Booklist)

About the Author
Carol Satyamurti is a poet, sociologist, and translator. The author of many books of poetry, she has taught regularly for the Arvon Foundation and for the Poetry Society (UK). She lives in London.

Wendy Doniger (Ph.D. Harvard University) is Mircea Eliade Distinguished Service Professor of the History of Religions at the University of Chicago. She first trained as a dancer under George Balanchine and Martha Graham and then went on to complete two doctorates in Sanskrit and Indian Studies (from Harvard and Oxford). She has taught at Harvard, Oxford, the School of Oriental and African Studies at the University of London, and the University of California at Berkeley. In 1984 she was elected president of the American Academy of Religion, in 1989 a fellow of the American Academy of Arts and Sciences, in 1996 a member of the American Philosophical Society, and in 1997 president of the Association for Asian Studies. She has been awarded seven honorary degrees, and her book The Hindus: An Alternative History was a finalist for the National Book Critics Circle Award.

Vinay Dharwadker (University of Wisconsin-Madison) is the author of Cosmopolitan Geographies: New Locations in Literature and Culture (2001) and a book of poetry, Sunday at the Lodi Gardens: Poems (1994). He is the editor of The Oxford Anthology of Modern Indian Poetry (1994) and The Collected Essays of A. K. Ramanujan (1999), and the translator of a collection of Kabir’s work called Kabir: The Weaver’s Songs (2003).

Most helpful customer reviews

12 of 12 people found the following review helpful.
PEERING INTO KRISHNA'S MOUTH.
By Glenn J. Shea
“What is found here is also found elsewhere; but what is not here is not found elsewhere.” Because of its extraordinary length—the longest known epic poem in world literature, breaking the tape in its current full translation at just under 6,000 pages—the Mahabharata has always been problematic for English readers. The central kernel of plot—the rivalry of the Kourava clan for the Pandavas, leading to the huge, life-engulfing Kurukshetra war—became, during the long period of its composition (roughly, 300 BCE to 300 CE), the backdrop for a vast variety of subplots, side tales, who-was-there recitations, genealogical listings (much like the Old Testament’s tangle of begats), practical advice on governing and, most centrally, innumerable disquisitions on the rights and wrongs of things. Unlike its companion work, the Ramayana, the Mahabharata is not just an epic but a dharma text, a work of moral instruction, and one in which, more often than not, the best choice available to its characters in any situation is the lesser of two distinct evils. And its scale is part of its message. In the Iliad, the scenes of violence tend to be man to man, warrior to warrior, but the battles in the Mahabharata are enormous, cataclysmic; the imagination-stretching numbers of the battlefield dead are part of its message of the pyrrhic nature of military victory.
The text reached a size where pieces of it began to peel off and be read separately: the Bhagavad Gita, of course, to be read eventually by many Western readers who have little idea of its connection to the original epic, or the moving story of Nala and Damayanti, a redemptive version of the disastrous wagering that causes the Pandavas to be cheated of their kingdom, or the story of Sakuntala, which became the substance of a play by Kalidasa, one of the great pieces of the Indian repertory. The Mahabharata, touch it where you will, is the literary analogy of those Indian temples so elaborately, bewilderingly covered with sculptures that the mind boggles—and which in turn analogize the vastness of India itself. There have been decently readable earlier one-volume abridgments of the work, by William Buck, C. V. Narasimhan and Chakravarthi Rajagopalahari among many others, but they were workmanlike rather than inspired, and all of them erred in the direction of whittling the tale down to its central plot, with none of the curlicues and digressions surviving. But W. W. Norton has now published (2015) THE MAHABHARATA: A Modern Retelling, by Carole Satyamurti, 850 pages of blank verse, and a genuine astonishment and success. Working from older translations, Satyamurti has found an idiom for her tale; her verse carries us through not only the shock and tumult of the battle scenes but through the laments, the expositions, the side tales, the locales that range from the lush scenes of the Indian forests to the splendors of the Pandava court, even the two long books of political instruction, and including one of the most powerful and beautiful renderings of the Bhagavad Gita yet in English. So common is the Mahabharata in India—in its many translations and retellings, its stage and tv versions, its comic book and children’s book forms—that Ramanujan once wrote that no Indian ever hears the Mahabharata for the first time; but if you are an American reader new to the story, this is, simply, the best place to start. This is a version which allows us to possess the story emotionally, as we can possess Homer and Virgil and Dante only in versions which carry the mark of the artist in their translation; I find myself pairing it in my mind with Robert Fitzgerald’s translation of the Iliad. Part of the issue with tackling the vast original is the glacial pace of the narration; the Mahabharata can take a very, very long time to say relatively little. “Tell me all in great detail,” one of the interlocutors says, and it does, it does. Satyamurti has taken this huge agglomerated text and sculpted from it a version that moves with admirable pace and yet preserves much of the original’s staggering welter of invention; she has taken a catchall text and made of it a work of art in proportion as well as content. Here is the Mahabharata made accessible to a Western readership in a way it has not been before. “I am the brilliance in the brilliant,” Krishna says in the Gita; “Have no more fear. Now I am the friend you know.”

--Glenn Shea, from Glenn's Book Notes www.bookbarnniantic.com

8 of 8 people found the following review helpful.
Not bad, Not hard to read... but not the best of the bunch (in my revised opinion...)
By J. Fitzpatrick
[I have revised my opinion pretty radically (see my comments below), but I have also kept my original review without revision:

My favorite abridged/ abbreviated version of the Mahabharata (so far). Of course, one 'should' read the complete text.... Of course.... But its 8,000 or so pages...! I have the complete English version (the freebie from Gutenberg) and have read a bit of it. But it really helps to have the core story in mind while the complete version is drifting hither and thither.

Some have complained that the author prefers to use a kind of free verse. If it bothers you perhaps you might prefer the version by Ramesh Memon. So far I've found none of the abridged versions completely satisfying. There is one that condenses the story and then has straight translation of sections in between the condensed version. It's not to my taste (for now...), but you might love it!

In short: this version grabs my interest and it seems likely I will actually finish it! And that, I suppose, really is the key.

UPDATE (28 November 2015): I've modified my evaluation a bit (quite a bit in fact since I dropped my evaluation from 4 stars to 3...). As I noted above, I liked this version - and the poetic aspect - and felt upon completion that I had a real feel for the basic story.... Then I went back to my Ramesh Memon, The Mahabharata: A Modern Rendering, which I had previously stopped reading - believing it to be a bit... well, overdone might be the word I used at the time.

... And discovered that Carole had utterly and completely omitted the magic from the book! She passes over the 12/ 13 years of exile with a quick poetic summary that left me happy at the time that I had read only her summary and not the 'boring' full version. Then..., I read the same section in Ramesh Memon's version...! And found that Carole had left out the entire mythic story! The flying saucers, magic weapons that seem straight out of Star Wars and humanoid creatures remenescent of Tolkien's Imortal Elves - all utterly missing form Carole's text!

So my present recommendation is to save your money and either jump into the complete translation (free on the internet and found on Amazon for no more than a couple of bucks) (although this is NOT what I suggest) OR you can pick up the Ramesh Memon text (called The Mahabharata: A Modern Rendering). OR you can go a different route and go with Jaya: An Illustrated Retelling of the Mahabharata by Devdutt Pattanaik who takes a completely different approach. The author of Jaya holds your hand as you try to pick out the basic story and just figure out who is who, how they relate (and often just how they are related!) to each other and what exactly is going on. Plus the author considers aspects of the story in context - for example: how is it that the heroes do such bad things! And what is going on (in the context of the story) in the Bhagavad Gita (considered a holy book, but only a chapter in the entire Mahabharata)....

My suggestion is simple: begin with Devdutt Pattanaik, An Illustrated Retelling of the Mahabharata - this will give you a basis for going deeper (and let you determine if you even want to go further!).

Then grab a copy of Ramesh Memon, The Mahabharata: A Modern Rendering.

And finally, if you have a strong constitution, you may delve into the actual unedited translation(s)....

10 of 12 people found the following review helpful.
Laudable attempt, but too much lost
By Frank
This is a fine, ambitious attempt to put a compressed version of the Mahabharata into what sounds like modern American" poetry. I have read other translations, in addition to prose retellings and commentaries, and appreciate the formidable task faced by Satyamurti. My hesitation in giving this book a higher rating comes from my disagreement with the choices she made to simplify and smooth out the flavor of the original. I also disagree with her decisions to omit certain episodes and to over-simplify others. Certainly, however, these were tough choices to make, and no one will agree with any translators decisions in this regard, given the vastness of the epic. The book will perhaps be an adequate (though misleading) version for some readers who are coming to the Mahabharata for the first (and perhaps the last) time. But for me, too much is lost, not least the horror, suffering, supernatural interventions, raw mysticism, spirituality, devotional love, motivations, and other elements that are unfamiliar and therefore challenging to English-language readers. Satyamurti has attempted the impossible, and she should be praised for that; and no translator can possibly get the Mahabharata "right." But this one left me feeling that too much of the intensity and "foreignness" had been left out in order to make the epic palatable to Satyamurti's presumed audience.

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Minggu, 28 Juli 2013

[V503.Ebook] Ebook Free Papervision3D Essentials, by Paul Tondeur, Jeff Winder

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This book is a step-by-step guide, which starts at an easy level for beginners and then gradually works to more advanced topics bit-by-bit. It covers code examples explained in detail and also a number of demos, which illustrate theoretical concepts. This book can also be used as a reference guide by readers who have already mastered Papervision3D. This book is aimed at readers who want to get started with Papervision3D. The book is also aimed at Flash and 3D developers wanting to extend and amplify their existing development skills, empowering them to build new types of applications. The book assumes that you have some experience with ActionScript 3.0, but you do not have to be familiar with classes and Object Oriented Programming; an introduction on these topics is included.

  • Sales Rank: #3450863 in eBooks
  • Published on: 2009-09-03
  • Released on: 2009-09-03
  • Format: Kindle eBook

About the Author
Paul Tondeur is as an internet entrepreneur who lives and works in Amsterdam, the Netherlands.He started as a freelance PHP and Flash developer during his study multimedia technology in 2003. After successfully completing his study he was asked to become the CTO of a Dutch online marketing agency in 2004. At this company he developed a strong interest for 3D and got the chance to get professionally involved as the technical lead for serious Second Life projects. Second Life was too limited to fulfill his needs to create accessible interactive multiplayer 3D on the web and this is when he found out about Papervision3D during the early days. Because of his passion for the Flash platform this was love at first sight. At the beginning of 2009, Paul decided he had to take more advantage of his technical skills as an internet entrepreneur. Currently he helps other companies as a Unity, Papervision3D, Red5 and mobile streaming consultant. Together with a team of people around him, he is also involved in creating a browser based MMO, incorporating the usage of Red5, Unity, Flash and Papervision3D. URL: www.paultondeur.com Jeff Winder is an independent Flash developer living and working in Amsterdam, the Netherlands. He discovered Flash and ActionScript in 2003, mainly creating timeline animation, but was soon gripped by non-timeline coding. He has a special interest in new technologies that are related to Flash, especially open-source projects such as WiiFlash, FLARToolKit, and Papervision3D. Jeff acquired an MSc in Social Psychology at the University of Amsterdam. He is also a passionate musician, playing guitar and drums. Since 2006 Jeff has been self-employed and working for leading agencies. URL: http://www.jeffwinder.nl

Most helpful customer reviews

4 of 4 people found the following review helpful.
The Beginning Of Making Sense Of It All
By Chuck Brooks
Learning how to use 3D in Flash and Flex can be daunting. The open source Papervision3D offers the potential of accomplishing some great things, quickly and easily, but the learning curve is steep, involving a lot of trials and, usually, far more errors. As with many such things, Papervision3D is a marvel from a development community whose technical strengths are not matched by clear writing ability. Paul Tondeur and Jeff Winder have addressed this with their recently released Papervision3D Essentials, from Packt Publications. The first such work in lucid English, its 394 pages are organized in thirteen well organized chapters, starting with the basics and progressively broadening the foundations in related aspects, such as shading and modeling. Included here and there, almost causally, are productivity enhancing tips and tricks that many seasoned and experienced Flash/Flex many not know exist. Chapter One has to be particularly commended, which plainly, clearly and simply details the steps to setup the Papervision3D environments for Flash, Flash Builder and Flex Builder, and includes a test program that helps validate the setup. Each chapter has detailed example project code, again for both Flash and Flex Builder. The examples are written in Action Script 3; those still using AS2 may have some problems in getting up to speed. This is an excellent starter book for learning how to use Papervision3D, with the examples and discussions left to expand into more complex and interactive development by the reader. Highly recommended.Foundation ActionScript 3.0 Image Effects (Foundations)

3 of 3 people found the following review helpful.
A good book for beginners
By Biondi Fabio
I never used Papervision 3D (PV3D) before and I was looking for a resource to understand how it works in few time.

This book was the answer.
It provided me all the info I needed to develop my first basic 3d applications: it's quick to read ( i spent only 2 days to read whole the book), easy to understand and rich of samples, demo and exercises.
It doesn't require previous 3d knowledges and all the code is written for Flash CS* and Flex 3. You only needs to have ActionScript 3.0 fundamentals.

So, if you are a PV3D beginner and want to understand something more about this world I can suggest to buy it.

But....although it's a good PV3D overview, it's not enough.
Advanced topics are not covered so well and after few days I already needed more info to accomplish my tasks.
Naturally it depends from your targets and needs. If you would like to develop 3D photogalleries, 3d menu navigators or very simple 3d videogames you will get all the info you need and however it's a good starting point to understand the concepts and get more info from web.
If you already know PV3D probably it's not the right book for you.

0 of 0 people found the following review helpful.
Great to get you going past the quirks, not enough for experts.
By mugurm
Book was clear with clear examples. Great to get you going on papervision fast. I think much of the info should be available online but pv3d info seems too scattered, so save yourself some time and get this book.

If you're looking for really advanced answers they are probably not in here though.

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Senin, 15 Juli 2013

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DNA of Relationships Workbook, by Dr. Gary Smalley, M.A. Michael Smalley

  • Sales Rank: #1993650 in Books
  • Published on: 2005
  • Binding: Paperback

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Minggu, 07 Juli 2013

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